Favorite Musical Transitions

One of the things I love in music (probably second behind great harmonization/multiple melodies) is really cool transitions. I decided to list some of my favorites for today's entry. Most of these are from song intros, because often those have the hooks that pull people in, but some are found elsewhere in the song.

Headfirst for Halos - My Chemical Romance

http://www.youtube.com/watch?v=F8vurKQ1RJk#t=00m24s

This is one of my favorite songs ever. The first 45 seconds or so are a solo that is a different tempo than the rest of the song. The transition from the slower, buoyant-feeling introductory bit into the upbeat, driving main riff is really sweet.

Beast and the Harlot - Avenged Sevenfold

http://www.youtube.com/watch?v=ZXTC0SmgE2s&ob=av3e#t=02m51s

The part of this song I'd like to focus on is the breakdown following the second chorus and leading into the bridge. The song rolls into a sort of lull after the chorus, with the main riff from only one guitar and a steady double-bass beat on the drums, but then everything comes crashing back in for a forceful yet simple bridge.

Swing Swing - The All American Rejects

 http://www.youtube.com/watch?v=KtypSRcwIhA&ob=av3e

Organ...guitar...BAND. The way this song explodes into action is just cool.  I'd have to say it's one of my favorite song intros ever. Which is, of course, why it's on this list.

Shotgun Serenade - The Juliana Theory

http://www.youtube.com/watch?v=A_7zPlSck3Y


The intensity of the song is anything but apparent at the beginning. It starts off rather mournful-sounding and acoustic, but that doesn't last long. The first chorus explodes...just like a bullet straight through the heart.

Only One - Yellowcard

http://www.youtube.com/watch?v=RJLkcPhVi9w#t=00m40s

This song is a bit trickier. It's hard to pick out a specific part that reaches out and grabs me, because truthfully I think this entire song is one of the most beautiful musical creations. The lyrical content, the tremolo guitar harmonies, and the blend of violin over the pulsing drum beat just charges this song with feeling. If I absolutely had to narrow it down, I would point out the first chorus, which elevates the song from a simple breakup ballad to a composition reflecting a soul's worth of emotion. I would also have to choose the dual violin-guitar solo, which is just mighty. (Note: the music video (linked) has an abridged version of the solo which isn't nearly as cool. Listen to the album track to hear the full version.)

Hotel California - The Eagles

http://www.youtube.com/watch?v=QgLfoQfmSQ4#t=04m08s

This is just a really cool song all around. I'm sure anyone could guess that the part I'm going to single out here is the solo. There's something epic about the lines, "You can check out any time you like / But you can never leave" followed by a soaring (pun intended) guitar solo.

More Than A Feeling - Boston

http://www.youtube.com/watch?v=SSR6ZzjDZ94#t=00m30s

Ever since the first time I played Guitar Hero, I have loved this song. I knew of it before then, but I'd never been all that into music historically until a few years ago. I love the pre-chorus interlude following each verse ("I closed my eyes and I slipped away" and sweet, ringing guitar) and the iconic chorus riff. The vocals are impressive to say the least, and the syncopation from the percussion section is just excellent. Of course, I also love the solo and the vocals that bookend it, because they are truly powerful.

I Don't Care - Fall Out Boy

http://www.youtube.com/watch?v=Alh6iIvVN9o#t=00m23s

This one is simple: the intro fill and bouncing hook of this song get me from zero to amped in less than three seconds. That's not an exaggeration. This is one of the most fun songs to drive to.

Knights of Cydonia - Muse

http://www.youtube.com/watch?v=1mkIrvuU_zE#t=04m06s

This one seems pretty obvious. I can't imagine I'd have to explain why I like it.

Pull Me Under - Dream Theater

http://www.youtube.com/watch?v=mipc-JxrhRk&ob=av3n#t=00m11s

Dream Theater is not a band I'm really that fond of. I never got into progressive rock (or however weird music characterized heavily by frequent changes in time signature for no readily apparent reason would be classified), but this is one of the more structured, "normal" songs that I've heard by DT. I really like the jump from the flangey clean guitar intro to the pounding, heavily distorted, oddly rhythmic riff.

There are plenty more I can think of, and these are by no means in any particular order, nor would I even consider them necessarily my top ten. Anyway, I hope this has proven interesting/enlightening for my select few readers. Like Billy.